1. Honour-vengeance in the Spanish comedia: a case of mimetic transference?

2. Celebration or subversion? Los Comendadores de Córdoba reconsidered

3. La victoria de la honra and La locura por la honra: towards a reassessment of Lope's treatment of conju gal honour

4. Calderón and the politics of honour

5. Anticipating Brecht: alienation and agency in Calderón's wife-murder plays

6. Calderón's Justina: the assumption of selfhood

7. Gender and symbolic space in the theatre of Calderón

8. “Retratos, vidrios y espejos”: images of honour, desire and the captive self

9. El libre albedrío y la reificación de la mujer: la imagen pintada en Darlo todo y no dar nada

10. Constructions of a scapegoat: Calderón and the Anglo-Spanish demonization
of Anne Boleyn

11. Men behaving badly: Calderón's La niña de Gómez Arias and the revelations of language